![]() ![]() The only thing I had to do was make the movie that I had in my head. I just was hoping that one person in the planet would want to see my movie and find some interest in it. You’re right to pinpoint the fact that there is a difference, because when I was writing Raw, somehow I had nothing to lose. Do you have to reorganize your creative brain to move on to the second movie when your first feature was such an emotional effort? I wanted to ask you about that, actually. I’m a bit sad, but I’m also very excited about going to a next project. I’m sad that it’s the end, obviously, because it’s six years of my life, including all the festivals and the promotions. ![]() But it’s also a feeling that is a bit nostalgic. I love it, because it’s my baby, but I have been having contractions for a year now, so it’s time for birth. How is your relationship with Raw these days? So you’ve been promoting this movie for almost a year since it debuted at Cannes. Vulture sat down the first-time writer-director to talk about the proliferation of genre-bending horror, which filmmakers are making the best movies in the world, and having really good comic timing. (All I’ll say is it involves a pair of scissors, a dog, and a bikini wax.) And for all the noise that’s been made about the gore, it’s used thoughtfully, particularly in the movie’s marquee scene. It’s about sibling rivalry, the struggle to fit socially when you don’t even fit in your own body, and the way your world shifts when you realize your parents are flawed people, too. But the movie is also an eerie, touching, and at times darkly funny coming-of-age story that manifests the messy business of post-adolescent development as the horror show it often is. If you’ve been following the film throughout its festival circuit run, the prevailing narrative has focused on Raw’s grislier aspects, scenes of cannibalism that sent viewers to the exits and sometimes even had people passing out. Her movie Raw follows a first-year veterinary student named Justine, who, after being raised strictly vegetarian, starts manifesting a pesky case of cannibalism after a nasty hazing incident. By the time she walked out, she had the Parallel Sections Prize from the International Federation of Film Critics and one of the most buzzed-about horror films of the year. When French director Julia Ducournau walked into the Cannes Film Festival last year, she had a handful of shorts and one brand-new feature film to her name. ![]()
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